Lyrical Goddess ! A Very Queenly Adele Covers Vanity Fair


It’s not all that strange to see Adele, hair in tousled waves, clad in black, lips in a perfect pout, eyes lined , this in fact is how many would imagine Adele Adkins in their heads . In images shot by Tom Munro, Styled by Gaelle Paul and Directed by Jessica Diehl, the 28-year-old leans into regal stances showing off a somewhat sensual part to her for Vanity Fair’s December 2016 issue. In her interview with VF‘s Lisa Robinson, she addresses fame, low-spirited moments and more .

Adele doesn’t care much for the fame or the money, she just wants to sing :

“I’d still like to make records, but I’d be fine if I never heard [the applause] again. I’m on tour simply to see everyone who’s been so supportive. I don’t care about money. I’m British, and we don’t have that . . . thing of having to earn more money all the time. I don’t come from money; it’s not that important a part of my life. Obviously I have nice things, and I live in a nicer area than I grew up in. That was my goal from the age of seven: it was ‘I ain’t living here.’ I didn’t care how I was getting out, I didn’t care where I’d be living, but I knew I wasn’t living there. I love being famous for my songs, but I don’t enjoy being in the public eye. I love to make music, and I love doing shows, and I needed to go back to work—not for money but because something was missing. I wasn’t creating music. But there is such a massive difference between what I do for my work and what I do in my real life. I don’t think anyone should be famous for going to a grocery store or a playground.”  When she first got famous, people in her family sold stories about her, and friends from childhood sold photos. “I appreciate when there’s money [involved],” she says, “but you could go get a job. The problem is you can’t talk about the downside of fame, because people have hope, and they cling to the hope of what it would be like to be famous, to be adored, to be able to create and do nice things.” Also, she adds, “money makes everyone act so bizarrely. It’s like they become intimidated by it, like I’m wearing my fuckin’ money.”

Even this mega-star has had low moments ; when she couldn’t speak for seven weeks following vocal surgery in 2011, “I wrote everything down. Which is nice, because it was the beginning of my relationship with my boyfriend, and now we have a record of all that for our kids.”

That’s not all, she didn’t have the best post-partum journey :

“I had really bad postpartum depression after I had my son, and it frightened me.” Did she take antidepressants? “No, no, no, no. But also, I didn’t talk to anyone about it. I was very reluctant . . . . My boyfriend said I should talk to other women who were pregnant, and I said, ‘Fuck that, I ain’t hanging around with a fuckin’ bunch of mothers.’ Then, without realizing it, I was gravitating towards pregnant women and other women with children, because I found they’re a bit more patient. You’ll be talking to someone, but you’re not really listening, because you’re so fuckin’ tired.”

She maybe a 10-time Grammy winner but she still has those who she reveres ;

She considers herself a “wailer” more than a singer, and that the singers she likes are “incredible—they’re on the next level,” like her early influences Etta James and Ella Fitzgerald. She adores Beyoncé, who she says has been a constant in her life since she was 11 and heard “No, No, No” from Destiny’s Child. “She’s my Michael Jackson,” Adele says. The other two women she says she reveres are Stevie Nicks—”I can’t find the words to describe how much I love her”—and Bette Midler. About Bette, she says, “I’ve obviously loved her for years. I like her humor, but she’s a fucking great singer, a really amazing singer. When I watched her show, I felt like I was really watching the last legend. No one’s made like that anymore.”

Care to know what ticks this queen off ? :

 She gets “pissed off,” she says, when she sees people in her audience checking their phones. “People would rather have a photo to show to people than actually enjoy a moment,” she says. “It’s weird—when I first started out, nearly 10 years ago, no one had their phones out. I’d go onstage to people. Now I go onstage to 18,000 phones. It’s pretty because of the lights . . . but no one is actually looking at the world—they’re on their phones all the time. Also, this Wi-Fi, you watch, it’s going to fuckin’ kill our insides . . . it’s just floating around. I’m telling you, we’ll find out in 25 years.”








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Read Up on Adele’s Full Interview On VF

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